A Cannes Film Festival light on Hollywood but not lacking in star power kicks off in France

A person takes a photo outside the Palais des Festivals during preparations for the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP Photo/John Locher)

CANNES, France — The 79th Cannes Film Festival opened on Tuesday with politics, artificial intelligence and the shifting priorities of Hollywood taking center stage at the global film gathering.

Under sunny French Riviera skies, strong breezes gusted though the resort town as Cannes unfurled the red carpet to launch 12 days of nonstop premieres that will culminate May 23 with the presentation of the prestigious Palme d’Or.

Inside the Palais des Festivals, winds of change were likewise blowing. At the introduction of the jury that will decide the Palme d’Or, Cannes’ top honor, jury members spoke bluntly about holding a film festival during a time of geopolitical conflict.

Paul Laverty, the Scottish screenwriter known for his films with director Ken Loach, pointed toward this year’s Cannes poster, of “Thelma and Louise,” while discussing attending Cannes during what he called “genocide in Gaza.” Quoting “King Lear,” he said: “Madmen lead the blind.”

“Cannes has a wonderful poster,” said Laverty. “Isn’t it fascinating to see some of them like Susan Sarandon, Javier Bardem and Mark Ruffalo blacklisted because of their views in opposing the murder of women and children in Gaza? Shame on Hollywood people who do that.”

The nine-member jury is being presided over by Park Chan-wook, the South Korean filmmaker of “Oldboy” and “No Other Choice,” who said that politics and cinema go hand in hand.

“Art and politics are not concepts that are in conflict with each other,” said Park. “One cannot disqualify a film on the pretext that it has a political message. Just as one cannot reject a film because it would not be political enough.”

Other jury members include Chloe Zhao, Stellan Skarsgård, Ruth Negga and Demi Moore, who two years ago was celebrated in Cannes for her comeback performance in “The Substance.”

Moore spoke about a topic that’s already dominated conversation at this year’s festival.

“AI is here, and so to fight it is to, in a sense, to fight something that is a battle that we will lose,” she said. “So to find ways in which we can work with it, I think, is a more valuable path,” she said. “Are we doing enough to protect ourselves? I don’t know. My inclination would be to say probably not.”

A Palme for Peter Jackson

The festival will kick off on Tuesday night with the opening-night film, “The Electric Kiss,” a French period-comedy, and the awarding of an honorary Palme d’Or to the “Lord of the Rings” director Peter Jackson.

What isn’t at Cannes has been as buzzed about as much as what is. Hollywood is largely absent this year.

While recent blockbusters like “Top Gun: Maverick” and “Elvis” have touched down at previous incarnations, studio films this year have been either scared away by the possibility of a rocky reception or by the high cost of flying in A-listers to the Cote d’Azur. The closest thing in Cannes’ slate is an anniversary celebration for “Fast & Furious.”

Cannes artistic director Thierry Fremaux said Hollywood “is reshaping” in the midst of Paramount Skydance’s proposed acquisition of Warner Bros. Discovery.

“I hope the studio films will come back,” Fremaux told a press conference on Monday.

Oscar season starts early

Cannes has become better known for its lengthy standing ovations than its boos.

This year, a long list of big-name filmmakers will have center stage. Among the filmmakers set to unveil new movies are Pedro Almodovar (“Bitter Christmas”), James Gray (“Paper Tiger”), Na Hong-jin (“Hope”), Pawel Pawlikowski (“Fatherland”) and Ryusuke Hamaguchi (“All of a Sudden”).

If Cannes has waned as a global launchpad for studio releases, it has grown as a breeding ground for Oscar contenders.

Two years ago, Sean Baker’s “Anora” won the Palme before winning best picture. Last year, Cannes selections like “Sentimental Value,” “The Secret Agent” and “It Was Just an Accident” went on to play prominent roles in awards season.

More often than not, the specialty distributor Neon has been at the forefront of the Cannes-to-Oscars pipeline. Neon has backed the past six Palme d’Or winners, an unprecedented streak that it may be poised to extend. The company is attached to more than a quarter of the 22 films in competition for the Palme d’Or.

While Cannes may be light on big Hollywood movies, it isn’t lacking in stars. Set to appear over the next two weeks are Kristen Stewart, Barbra Streisand, Adam Driver, Javier Bardem, Michael Fassbender, Cate Blanchett, Rami Malek, Sebastian Stan, Sandra Huller and many others.

How much any of this will serve as backdrop for “The White Lotus” remains to be seen. The fourth season of Mike White’s acclaimed HBO series is based around a trip to Cannes. Last month, the show began shooting on the French Riviera.

Jake Coyle, The Associated Press