VENICE, Italy — George Clooney may be at the Venice Film Festival to receive a lifetime achievement award, but he didn’t dwell only on memories and nostalgia at a news conference on Wednesday. Before the award ceremony, which he plans to attend with his wife Amal Clooney, the 65-year-old actor and director spoke about everything from the artificial intelligence revolution in Hollywood and the Paramount-Warner Bros. merger, to the state of journalism and power in America. “There’s a great word, kakistocracy, which is a country run by the least qualified people,” Clooney said. “I think maybe we have a kakistocracy right now. But we’ll get through it.” Of artificial intelligence, Clooney said that his industry is going to have to find ways to survive, and that he would “like to avoid being in a tampon commercial 20 years after I’m dead.” He bemoaned the fact that some of the world’s richest men own The Washington Post and X and said that the proposed merger of Paramount and Warner Bros. was “a complicated thing because I don’t know how this works out, I don’t know how it goes through.” Current events take centre stage Over the course of 11 days, the 83rd edition of the festival will see many stars from Hollywood and beyond grace the red carpet, from Robert Pattinson to Noel and Liam Gallagher of Oasis, but the focus this year seems to be more on geopolitics than movie star moments. The sprawling lineup includes documentaries about the conflict in Gaza ( “NAZA” ), Elon Musk (“Musk”) and independent Russian journalists covering the war in Ukraine (“My Undesirable Friends — Part II: Exile”) as well as Palestinian films and a short about U.S. Immigration and Customs Enforcement in Minneapolis. Jury president Maggie Gyllenhaal spoke about the fact that many of the films in the slate are about the current events and conflicts. “Look, we could say how are we possibly here talking about movies right now when the world is in a state of emergency,” Gyllenhaal said. “To me the answer has something to do with empathy.” When asked if she thought films should be political, she said that she thinks they are “fundamentally, unavoidably political.” Festival director Alberto Barbera told The Associated Press that most of the films they saw during the selection process dealt with “contemporary problems.” “We didn’t really have a choice,” he said. “We are in a space open to everybody for discussion, for confrontation. Everybody is completely free to express themselves. And I’m, in a way, really happy that this kind of film could help the viewers, the critics, everybody to have a better understanding of what is going on in our contemporary, difficult world.” Lack of female directors is a ‘systemic issue’ Gyllenhaal also addressed the dearth of female directors in the competition lineup. When the slate was announced in July, there was much attention on the fact that there was only one film directed by a woman. The documentary “NAZA,” which was added to the lineup just last week, was also co-directed by a woman. “I guess it’s just finally become clear that men make better movies than women do,” Gyllenhaal quipped, before speaking about the systemic issues facing female directors, like financing and preconceived notions about high art. Earlier, Barbera called it “a big problem,” adding: “There is a lot to do to give women the place that they deserve in cinema.” He explained that while the organizers saw many interesting films from women, and programmed many in the festival’s sidebars, they didn’t find films that were strong enough for the main competition. Danny Boyle’s ‘Ink’ draws Oscars talk The festival is also known for being a launch pad for Oscar contenders. Barbera said one such possibility could be the opening-night film “Ink,” a competition title starring Guy Pearce as Rupert Murdoch and Jack O’Connell as editor Larry Lamb. An adaptation of James Graham’s acclaimed play, the Danny Boyle-directed film dramatizes Murdoch’s acquisition of the British tabloid “The Sun” in 1969 and explores how Lamb transformed a failing paper into a bestselling one. Boyle earlier this year told the AP that he made “Ink” in the same way he made “Trainspotting” — without much money but with a committed ensemble who rallied behind the idea and a breakout star. In “Trainspotting,” that was Ewan McGregor. In “Ink,” he said, it’s O’Connell. The Venice Film Festival runs through to Sept. 12. ___ Lindsey Bahr, The Associated Press
